Back

Khula Aasman

Seema Kohli Studio, New Delhi and The Partition Museum, Delhi

Khula Aasman

In this second edition of her project, Seema Kohli continues to exhume her family archives, material inheritance and oral accounts to recreate the memory of her ancestral home in Pind Dadan Khan. The town, presently a part of Jhelum District in Pakistan, lies tantalisingly beyond her reach. Articulating a tenuous link to a home that one may never return to, this project that is deeply personal, nonetheless, reveals the ephemerality of all belonging.

Khula Aasman
Khula Aasman
Khula Aasman
Khula Aasman
Khula Aasman
Khula Aasman
Khula Aasman
Khula Aasman
Khula Aasman
Khula Aasman
Khula Aasman

The title ‘Khula Aasman’ evokes the illusory yet transcendental horizon that witnesses our labours and guides our dreams. It recalls an exchange that the artist, a young girl at the time, had with her father in their New Rajinder Nagar home where the family eventually came to settle after the Partition. ‘What do you see ahead?’ the father would quiz his daughter to which she’d naively respond ‘Babbi ka ghar’ pointing to her friend’s home. ‘And what do you see after that?’ the line of enquiry continued, nudging her imagination forward to the sinuous infinity where the sky and the land dissolved into each other. ‘Khula Aasman’ thus upholds the meagre yet momentous hope treasured by a dispossessed heart.
Spread across the two venues of Dara Shikoh Library at Ambedkar University and Seema Kohli Studio in Okhla, the project comprises a range of mixed-media works. A multichannel video installation अक्स-ए-गुज़िशता (Mirroring the Past) suspends a bridge of longing between homes new and old, stitching the two geographies together, albeit imperfectly. In reenacting the tortuous journey from Pind Dadan Khan to New Delhi, the artist extends herself back in time like air rushing to fill a vacuum, or life pushing its tendrils through dilapidation. The camera hungrily caresses the facade of Bada Ghar (the family home in Pind Dadan Khan) savouring every detail before sweeping through the mohalla, strangely familiar. Doors and windows of her current studio suddenly open onto distant galis, welcoming the hanging wooden balcony and the latticed arches like a long lost sibling. The reconstruction of memory continues in a series of silver gelatin prints that have been developed from a selection of family photographs. In drawing over and tinting these photographic prints with Fuji Colours acquired by her father in 1957 the artist seeks to reacquaint herself with these derelict spaces, painstakingly populating them with inhabitants, memories and events. These fragmented memories traced over the photographic surface are enfleshed further with the aid of audio excerpts from her father Shri KD Kholi’s autobiography Mitr Pyare Noo, a key resource for this project.
One of the two large paintings included in the exhibition, Yamuna, is an ode to the relationship between her father and the eponymous cow, who had to be left behind when the family migrated to India, a loss that haunted her father even unto his latter years. The other, Gulab ke Khet opens a vista on to the sprawling rose fields of Choa Saidanshah that were crossed on camelbacks on pilgrimage to the nearby shrines of Katasraj. The gulkand confected from these roses was a common yet satiating accompaniment to the basi roti that the pilgrims consumed during such journeys. Its health benefits were extolled by the artist’s grandfather Hakim Chunn Lal Kohli, an eighteenth generation practitioner of Unani medicine. The fragrant memories of this family occupation have come down to the artist in a script she can no longer decipher and re-lived through a series of drawings. These drawings paint a picture of a home that doubled up as a 24/7 clinic where the boundaries between the private and the professional blurred as children and other family members were drawn into sourcing, preparing, and packaging of remedies, triage and care of the patients. The Himalayan foothills nearby provided a steady supply of various herbs prescribed by hikmat.
A four by ten feet phulkari created in collaboration with the women’s collective Meher Baba Charitable Trust in Bassi Pathan (Punjab) renders the artist’s ancestral landscapes of the Salt Range arrayed along the banks of Jhelum in its quintessential bagh pattern. Growing up, the artist heard stories from her bua about the unique space held by this collective women’s enterprise within the cultural and everyday life of Punjab. Through multisensory bricolages of material like these ‘Khula Asman’ seeks to stir the diaspora of memories that resides in all of us.

A533

A533

A532

A532

Sculptures, Terracotta

A530

A530

Sculptures, Terracotta

A526

A526

Sculptures, Terracotta

A527

A527

Sculptures, Terracotta

A529

A529

Sculptures, Terracotta

A531

A531

Sculptures, Terracotta

A524

A524

Sculptures, Terracotta

A528

A528

Sculptures, Terracotta

A524

A524

Sculptures, Terracotta

S 625

S 625

Paperworks, Archival Photographic Works / Drawings

S 624

S 624

Paperworks, Archival Photographic Works / Drawings

S 623

S 623

Paperworks, Archival Photographic Works / Drawings

S 622

S 622

Paperworks, Archival Photographic Works / Drawings

S 621

S 621

Paperworks, Archival Photographic Works / Drawings

S 620

S 620

Paperworks, Archival Photographic Works / Drawings

S 616

S 616

Paperworks, Archival Photographic Works / Drawings

S 615

S 615

Paperworks, Archival Photographic Works / Drawings

S 611

Paperworks, Archival Photographic Works / Drawings

S 606

S 606

Paperworks, Archival Photographic Works / Drawings

S 605

S 605

Paperworks, Archival Photographic Works / Drawings

S 604

S 604

Paperworks, Archival Photographic Works / Drawings

S 601

S 601

Paperworks, Archival Photographic Works / Drawings

S 600

S 600

Paperworks, Archival Photographic Works / Drawings

S 618

S 618

Paperworks, Archival Photographic Works / Drawings

S 617

S 617

Paperworks, Archival Photographic Works / Drawings

S 599

S 599

Paperworks, Archival Photographic Works / Drawings

S 598

S 598

Paperworks, Archival Photographic Works / Drawings

S 641

S 641

Canvas, Acrylic on Canvas

S 640

S 640

Canvas, Acrylic on Canvas

S 639

S 639

Canvas, Acrylic on Canvas

S 637

S 637

Canvas, Acrylic on Canvas

S 636

S 636

Canvas, Acrylic on Canvas

I Hear With My Eyes Closed 2

I Hear With My Eyes Closed 2

Canvas, Acrylic on Canvas

I Hear With My Eyes Closed 1

I Hear With My Eyes Closed 1

Canvas, Acrylic on Canvas

Bird Song

Bird Song

Canvas, Acrylic on Canvas

Bright the Hawks Flight On The Empty Sky

Bright the Hawks Flight On The Empty Sky

Canvas, Acrylic on Canvas

When You Became Our Mother

When You Became Our Mother

Paperworks, Lithographs

Yamuna With Daku Uncle

Paperworks, Lithographs

Ma

Ma

Paperworks, Lithographs

Khabar

Khabar

Paperworks, Lithographs

Just Friends

Just Friends

Paperworks, Lithographs

S 479

S 479

S 478

S 478

Paperworks, Paintings

S 477

S 477

Paperworks, Paintings

S 476

S 476

Paperworks, Paintings

S 475

S 475

Paperworks, Paintings

S 474

S 474

Paperworks, Paintings

S 473

S 473

Paperworks, Paintings

S 472

S 472

Paperworks, Paintings

S 470

S 470

Paperworks, Paintings

S 469

S 469

Paperworks, Paintings

Madhumalti

Madhumalti

Canvas, Acrylic on Canvas

Raat Ki Rani

Raat Ki Rani

Canvas, Acrylic on Canvas

Gulab Ke Khet

Gulab Ke Khet

Canvas, Acrylic on Canvas

And I Hear You With My Eyes Closed 2

And I Hear You With My Eyes Closed 2

Canvas, Acrylic on Canvas

And I Hear You With My Eyes Closed 1

And I Hear You With My Eyes Closed 1

Canvas, Acrylic on Canvas

Bird Song

Bird Song

Threadworks, Cloth

Related Performances

The Word for World is Home

The performance was presented at Kolkata Creativity Center Concept, script, and direction: Seema Kohli In The Word for World is Home Seema Kohli reclaims a new universalism, this...

A Circle of Our Own

The performance was presented in 2019 at the amphitheatre in Sunder Nursery, New Delhi A Circle of Our Own is an experiential narrative performance by Seema Kohli that...

The Fourth Moon

Performed at National Gallery of Modern Art, Bengaluru as part of her ongoing Exhibition 'Kaal Netra - Sacred Matrices' Concept, script, and direction: Seema KohliPhotography & Videography: Sakthi...

In Silence the Secrets Speak

Performed at the Royal Opera House, Mumbai Video is available on demand Concept, Script & Direction: Seema KohliPerformance: Seema Kohli and Lokesh Bhardwaj In Silence the Secrets Speak...

Making of ‘Cut from the Same Cloth’

Concept & Direction: Seema KohliCinematography Edit & Sound: Sakthi Doss A 12 minute capturing Seema Kohli’s involvement and the whole process of the making of the artworks at...

Ouroborus

Grid of 84 archival prints of self-portraits, of 10x10inch. The cycle of life revolves around birth, death and the eventual liberation from mortality. All forms of life follow...

Swayamsiddha: Myth, Mind and Movement Swayamsiddha

Double Channel Video Installation Video is available on demand Concept, Script & Direction: Seema KohliPerformance: Seema Kohli and HimaniPhotography: Avdesh Singh, Narendra Rai and Svabhu KohliStill Photography: Anshika...

Raks-e-Shams: Unending Dance of Light | 2014

Single Channel Installation Performance & Concept: Seema KohliCinematography: Marlène Ila Popovic, Sakthi BhagatEditing: Marlene Ila PopovicSound Design: Sahil Vasudeva “We see death as a full stop. But it...

Enter Stillness | 2022
Enter Stillness | 2022 | 2022 9 minutes 39 seconds

Concept, Script & Direction: Seema Kohli Photography & Videography: Sakthi Bhagat Editor: Tariq Vasudeva Music: Sahil Vasudeva Animation: Gaurav Singh Bedi “Seema Kohli’s Enter Stillness is a fable...

Parikrima | 2013
Parikrima | 2013 19 minutes, 19 seconds

Single Channel Film, 16:9 Aspect Ratio Concept, Script, Direction & Art: Seema Kohli Camera: Marlene Popovic Editors: Seema Kohli and Marlene Popovi Music: Sahil Vasudeva Vocals: Bindhu Malini...

EXHIBITIONS
  • ALL
  • CANVAS
  • ACRYLIC ON CANVAS
  • ARCHIVAL PRINT
  • DRAWING
  • OIL ON CANVAS
  • PAINTING ON WOOD
  • PAPERWORKS
  • ARCHIVAL PHOTOGRAPHIC WORKS / DRAWINGS
  • ETCHING
  • LITHOGRAPHS
  • PAINTINGS
  • SERIGRAPHS
  • WOODCUT
  • ZINC PLATE INTAGLIO PRINT
  • SCULPTURES
  • BRONZE
  • GLASS-REINFORCED POLYMER
  • PAINTINGS
  • SANDSTONE
  • TERRACOTTA
  • WOODEN
  • THREADWORKS
  • CLOTH
  • EMBROIDERY
  • WOODWORKS
  • ACRYLIC ON WOOD
  • ALL
  • CANVAS
  • ACRYLIC ON CANVAS
  • ARCHIVAL PRINT
  • DRAWING
  • OIL ON CANVAS
  • PAINTING ON WOOD
  • PAPERWORKS
  • ARCHIVAL PHOTOGRAPHIC WORKS / DRAWINGS
  • ETCHING
  • LITHOGRAPHS
  • PAINTINGS
  • SERIGRAPHS
  • WOODCUT
  • ZINC PLATE INTAGLIO PRINT
  • SCULPTURES
  • BRONZE
  • GLASS-REINFORCED POLYMER
  • PAINTINGS
  • SANDSTONE
  • TERRACOTTA
  • WOODEN
  • THREADWORKS
  • CLOTH
  • EMBROIDERY
  • WOODWORKS
  • ACRYLIC ON WOOD
  • ALL
  • ART FAIR/ BIENNALES
  • CANVAS
Bodies of Work
  • ALL
  • HERBS OF INHERITANCE
  • KHULA AASMAN
  • MOON MYTHS
  • SAPTA MATRIKA
  • SHAKTI
  • TANTRA
  • THE GOLDEN WOMB SERIES
  • TREE OF LIFE
  • YOGINIS
  • ALL
  • ARTICLES
  • EXHIBITIONS
  • PAINTINGS
  • PERFORMANCES